Welcome back to your television serial making guidelines. If you will need a recap we'd already seen the fixed forms of necessities like storyline, characters or sets. Now let us move on to moving ones.
The Story and Dialogue Writers: Having only one writer is really a risky proposition. You must ideally have a table of writers, if one fails to blow out of his/her mind the others deliver. The constant storyline needs a similarly endless method of getting dialogues to carry on the show episode by episode. In a certain scene you will have to create the utmost possible dialogues and because of this the board of writers would come as a bonus. When they quarrel over it, that is only natural, maybe you obtain a new twist-wish idea to put in new angles-triangles or you will want to even a hyperbola in the story which could again generate new streams of dialogues. You will have to keep a watch on viewers too; boring them now and then is okay, but you have to never drive them mad. The channel producers, remember?
The Director: As you will be the director you ought to be the toughest nut to break. Okay it's your infant and naturally you prefer to be the first choice and friend-philosopher-guide. However in actual practice you have to be described as a ruthless dictator taking decisions unilaterally and respecting nobody nevertheless the channel producers. If a particular character actor is creating problems s/he must get killed in the serial; on the demand of the producers a dead character may have to be brought alive; others may have to be replaced; ushering in an occasion transition or injecting one and more absurd characters in to the serial; and, so on. Each one of these situations demand your decisions only. Kundali Bhagya Today Episode We advise you to help keep 1 or 2 episode directors too as may be the case in lots of soaps. We've good reasons. First, one director is directly identifiable and is really a sitting duck for irate viewers, if any. Second, the endless monotony might be an excessive amount of for you and you could lose your sanity. Third, are you aware that channel producers the buck will always stop exclusively at your end only.
The Time Pass: This time around pass is from the viewpoint of serial makers, not viewers. Making an endless serial is not at all easy. So you have to continue creating rooms for frequent time pass tactics. You do it with merry go rounds of dramatic reaction shots parading your entire characters in the hall which could take you over more than one episodes; with dialogues that never cease; by giving extreme shock treatment to more than one characters who lose their ability to speak and communicate only through loud music which could last up to more than one episodes; by bringing in absurd characters and making their stories count; and, by the like.
Conclusion (?): Since every one of these guidelines are enforced relentlessly some normal doctrines like good wins over evil get neutralized. Evildoers in serials continue doing evil which could include even murder as police authorities are never called in, because entry of police may veer the serial to a logical end. You merely compensate by creating temporary relief measures now and then. Thus, the antagonist becomes the important thing to the success of constant serials. At the receiving end we can only try get accustomed to it.
So, make your serial in India and have constant fun!
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